Motes Played: Difference between revisions
(Initial creation) |
m (→Back copy: remove tentative) |
||
(12 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
''Motes Played'' is an upcoming novella set in the Post-Self setting written by Madison | {{Story|title=Motes Played|image=Motes-Played-Front.png|author=Multiple authors|authors=[[Madison Rye Progress]] and [[Samantha Yule Fireheart]]|format=Novella|character=Multiple|characters=* [[Motes]] | ||
* [[A Finger Pointing]] | |||
* [[Beholden]] | |||
* [[Dry Grass]] | |||
* [[Warmth In Fire]] | |||
* [[Slow Hours]] | |||
* [[Hammered Silver]] | |||
* [[Waking World]]|year=2362|readlink=https://motes-played.post-self.ink}} | |||
{{See also|Motes_Played/synopsis|l1=Synopsis}} | |||
''Motes Played'' is an upcoming novella set in the Post-Self setting written by [[Madison Rye Progress]] and [[Samantha Yule Fireheart]]. While it is heavily tied into [[:Category:The Post-Self cycle|the Post-Self cycle]], it is not part of the cycle proper. | |||
== Back copy == | == Back copy == | ||
[[Motes]] played. | [[Motes]] played. | ||
Line 12: | Line 23: | ||
Motes played, because how could she not? | Motes played, because how could she not? | ||
=== Content | === Content notes: === | ||
Mentions of rough, but consensual sex with one vague description; blood | Mentions of rough, but consensual sex with one vague description; blood; adult characters engaging with the world as children, unrelated to sex; themes of familial abuse. | ||
[[Category:Books]] | [[Category:Books]] | ||
[[Category:Works by Madison | {{DISPLAYTITLE:''Motes Played''}} | ||
[[Category:Works by Madison Rye Progress]] | |||
[[Category:Works by The Lament]] |
Latest revision as of 06:08, 17 June 2024
Motes Played | |
---|---|
Multiple | |
Format | Novella |
Authors | |
Characters | |
Year | 2362 |
Canonicity | Canon |
Read here |
See also: Synopsis
Motes Played is an upcoming novella set in the Post-Self setting written by Madison Rye Progress and Samantha Yule Fireheart. While it is heavily tied into the Post-Self cycle, it is not part of the cycle proper.
Back copy
Motes played.
She played because she was play. She played because that was her role in life, because that is just who she was. She played with color, played with life, played with death.
She played with fire.
Motes played, because how could she not?
Content notes:
Mentions of rough, but consensual sex with one vague description; blood; adult characters engaging with the world as children, unrelated to sex; themes of familial abuse.