Motes Played: Difference between revisions
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{{Story|title=Motes Played|author=Madison | {{Story|title=Motes Played|image=Motes-Played-Front.png|author=Multiple authors|authors=[[Madison Rye Progress]] and [[Samantha Yule Fireheart]]|format=Novella|character=Multiple|characters=* [[Motes]] | ||
* [[A Finger Pointing]] | * [[A Finger Pointing]] | ||
* [[Beholden]]|year=2362}} | * [[Beholden]] | ||
All from [[the Ode clade]]|year=2362|readlink=https://motes-played.post-self.ink}} | |||
{{See also|Motes_Played/synopsis|l1=Synopsis}} | {{See also|Motes_Played/synopsis|l1=Synopsis}} | ||
''Motes Played'' is an upcoming novella set in the Post-Self setting written by [[Madison | ''Motes Played'' is an upcoming novella set in the Post-Self setting written by [[Madison Rye Progress]] and [[Samantha Yule Fireheart]]. While it is heavily tied into [[:Category:The Post-Self cycle|the Post-Self cycle]], it is not part of the cycle proper. It takes the form of a diegetic story written for Motes for her 300th birthday. | ||
== Back copy == | == Back copy == | ||
[[Motes]] played. | [[Motes]] played. | ||
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[[Category:Books]] | [[Category:Books]] | ||
{{DISPLAYTITLE:''Motes Played''}} | {{DISPLAYTITLE:''Motes Played''}} | ||
[[Category:Works by Madison Rye Progress]] | |||
[[Category:Works by The Lament]] | |||
[[Category:Diegetic Works]] | |||
Latest revision as of 21:56, 23 November 2025
| Motes Played | |
|---|---|
| Multiple | |
| |
| Format | Novella |
| Authors | |
| Characters |
All from the Ode clade |
| Year | 2362 |
| Canonicity | Canon |
| Read here | |
See also: Synopsis
Motes Played is an upcoming novella set in the Post-Self setting written by Madison Rye Progress and Samantha Yule Fireheart. While it is heavily tied into the Post-Self cycle, it is not part of the cycle proper. It takes the form of a diegetic story written for Motes for her 300th birthday.
Back copy
Motes played.
She played because she was play. She played because that was her role in life, because that is just who she was. She played with color, played with life, played with death.
She played with fire.
Motes played, because how could she not?
Content notes:
Mentions of rough, but consensual sex with one vague description; blood; adult characters engaging with the world as children, unrelated to sex; themes of familial abuse.