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Motes: Difference between revisions

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{{Cladist|name=Motes|pronouns=she/her|forked=systime 3+53|downtree=[[A Finger Pointing]]|clade=[[The Ode clade]]}}
{{Cladist|name=Motes|pronouns=she/her|forked={{Systime|2127|2|22}}|downtree=[[A Finger Pointing]]|clade=[[The Ode clade]]}}


'''And We Are The Motes In The Stage-Lights''' of [[the Ode clade]] is a member of the fifth stanza, an up-tree of [[A Finger Pointing|Time Is A Finger Pointing At Itself]]. She often presents as an anthropomorphic skunk, looking to be anywhere between five and twelve years old, though she occasionally presents as a human in her mid twenties, more slender than her cocladists, with a very flower-child aesthetic.
'''And We Are The Motes In The Stage-Lights''' of [[the Ode clade]] is a member of the fifth stanza, an up-tree of [[A Finger Pointing|Time Is A Finger Pointing At Itself]]. She often presents as an anthropomorphic skunk, looking to be anywhere between five and twelve years old, though she occasionally presents as a human in her mid twenties, more slender than her cocladists, with a very flower-child aesthetic.


== Life ==
== Life ==
Motes was forked in [[systime]] 3 (2127) as A Finger Pointing began to build the theatre troupe [[Au Lieu Du Rêve]]. Her job was to work on set and prop design. Her focus beyond that was to lean into play as a form of hedonism. Over time, this led to her aging down her appearance and leaning specifically into childlike play, and then a reclamation of childhood itself.
Motes was forked in [[systime]] {{Systime|2127}} as A Finger Pointing began to build the theatre troupe [[Au Lieu Du Rêve]]. Her job was to work on set and prop design. Her focus beyond that was to lean into play as a form of hedonism. Over time, this led to her aging down her appearance and leaning specifically into childlike play, and then a reclamation of childhood itself.


As time went on, she began to incorporate various aspects of childhood into her life, including a family dynamic. She began to treat A Finger Pointing and [[Beholden]] as her parents, calling them 'Ma' and 'Bee', and the rest of the stanza as siblings. [[Slow Hours]] in particular became a trusted sister. Many of them called her diminutive nicknames as well, such as 'Speck', 'Mote', or 'Skunklet', with A Finger Pointing and Beholden referring to her as 'Dot', short for ''dóttir''.
As time went on, she began to incorporate various aspects of childhood into her life, including a family dynamic. She began to treat A Finger Pointing and [[Beholden]] as her parents, calling them 'Ma' and 'Bee', and the rest of the stanza as siblings. [[Slow Hours]] in particular became a trusted sister. Many of them called her diminutive nicknames as well, such as 'Speck', 'Mote', or 'Skunklet', with A Finger Pointing and Beholden referring to her as 'Dot', short for ''dóttir''.


=== Controversy ===
=== Controversy ===
Throughout the years, Motes's explorations caused several controversies within the Ode clade, culminating in systime 238 (2362) when [[Hammered Silver|Memory Is A Mirror Of Hammered Silver]] reaffirmed cutting contact with the entirety of the fifth stanza in a very dramatic series of events.
Throughout the years, Motes's explorations caused several controversies within the Ode clade, culminating in systime {{Systime|2362}} when [[Hammered Silver|Memory Is A Mirror Of Hammered Silver]] reaffirmed cutting contact with the entirety of the fifth stanza in a very dramatic series of events.


== Overflowing ==
== Overflowing ==